Since it has been forever and a half since I've said something else, I suppose I'll just jump in.
This last year has been an interesting one in contemplating how one "finds" a passion. One of the problems that has always presented itself to me is that it really isn't that easy. Some have problems just getting excited about anything, or being motivated to do any one thing for a period a time, but none of these problems accurately describe my own. My problem has been that I find SO MANY things interesting enough that I can, and have, thrown entire days and weeks at a time at any one thing. Not so much a problem, but something that complicates the issue is that it seems that if I do throw that kind of time at something, I do pretty well. It doesn't take long for me to go from complete novice to something resembling decent. This hasn't helped in paring down my potential options.
One one hand, I think it would be really cool to build my tiny house idea, learn all the electriciany things, hook up some solar panels, and then make a hydroponics garden I could very easily just start making plans for people and figuring out how to sneak plants into people's homes. On several completely other hands, I could look into video game psychology, and even within that, I could try to design levels, characters, draw, test, research, try to learn to code....pretend I know how to tell a story, I could go and write/illustrate that book that Tracy and I need to write, I could try to beef up my Japanese and somehow combine ALL of that into something.. Just so many things that I could start getting into, and make it seem like they want to be done now.
But at the least, there are some things on the horizon that are catching my attention and making a plan happen. I need to keep drawing, but lately there have been game psychology openings among developers, and and I have a list of skills that they seem to require. There was also an internship open for the Tumbleweed House Company. I'm applying to that in the very near future. All of these are giving me a better idea of what skills I want to have so that I can talk about them. I need to get on C++, I think that unless there is a big opportunity for me out here on the west, that it wouldn't be a bad idea for me to go home, build my house, build my computer and just start cramming on code, game design, and statistics and art. Maybe some ABA stuff too. But there is a plan, and that's more than what I had a while ago.
I still feel pulled in a lot of directions at once, and I still can't believe I know enough of any for someone to pay me any kind of livable wage. It just doesn't make sense to me why someone would hire me out of college with no experience. Perhaps it's just my perspective, but I can't believe I'm at a point in my life where I can pretend to justify someone paying me thousands of dollars to complete a given task. Maybe I just have no faith in employers, maybe I just simply don't have skills, but the idea that someone would agree to pay me even 20-30k is pretty ridiculous. I'm still in the mind set where I don't know how to make an argument for any more of a salary than that without just dropping off and spending 3 years getting better at one skill, or by getting graduate degrees.
I suppose we'll just have to see where things go.. I suppose it may take quite a while. I keep managing to surround myself with people who are excited and have confidence in me, but at the moment, I can't help but feel stupendously average at the tasks I'm completing. Hopefully, if I keep poking away at things I might work to be almost above average at something.
Showing posts with label Movement. Show all posts
Showing posts with label Movement. Show all posts
Sunday, March 24, 2013
Monday, April 18, 2011
Pressures
It is 2 am, I have a research paper due in the afternoon, and I am writing on my blag.
Well, cheerio then.
I do not believe that people are as attuned to pressures and weight as they might think they are. On the whole, I would actually say that most people do not actually understand what it means to do something "softly". Lately, I have been reading several books on personality assessment through nonverbal language, microexpressions, nonverbal communication, and linguistic metamessages (also, I highly recommend reading Deborah Tannings works).
Am I suggesting that people do not know how to control their own bodies, and thus do not know what it means to move "softly"? No. I would say that most people are extremely aware of their bodies. From the uncoordinated gamer to the dexterous harp player, I would guess everyone is aware of what their bodies are doing. I would not say, however, that they know why they are moving the way they are, what their flow is, what they are communicating, or to what degree they are participating in any of these actions. People can be beautiful sports players, and refined cooks and still not have an idea as to what "softness", or more specifically, "pressure" is.
Softness in movement is different from softness of physical description. I feel vaguely hypocritical even writing this because I know I have only personally experienced the tip of this ice berg. I do not feel as if I entirely understand enough to communicate about it, but I have to say I know enough that I can feel it, and I can notice it. In the most basic form, softness is something not forceful, hard, ridged, or inflexible. It is tender, accepting, conforming, and unimposing. I want to focus on unimposing for a moment.
unimposing, to me, goes hand in hand with a form of intimate respect. There is an underlying respect to softness. It has its own form to hold, but it is still respectful of the form and pressures that are being placed upon it. A small agreement of identities if you will. It is this relationship that I'm not sure too many people understand, and then are able to act upon. From my own experience (and earlier discussion on a seemingly universal "flow" in movements and activities), here are some examples of underlying respect, and careers I would expect people would have to intimate with this idea in order to survive.
-Dancing
-Drawing
-Slack rope
-Climbing
-Soccer
-Cooking
-Any musical instrument, or faculty
-Any martial arts
-To an extent, writing and story telling
-Architecture
-Making friends
-Keeping your friends
-Keeping your friends healthy
This semester, I have been rubbing a lot of backs. This is not where the thought came from, but it certainly seems to be the most frequent example where I can practice this thought. Touch is a gradient. In order for a touch to be soft, there must be a hardness, a stiffness with which to contrast it with. Otherwise, if you rub someone's back, you will be unable to adapt to the necessary tension points, and your friend will be disappointed. Softness is also a gradient. There is a light softness, and hard softness. It is still accepting, but it doesn't quite bend so easily to the identity of the incoming other. A dance of distances, a dance of pressures.
The reason I feel people do not practice this is because the overwhelming amount of motions I see are heavy. They are weighty, almost as if someone is swinging a heavy rock around on a string. There is fluidity because of the constant motion of the swinging rock, but there is still a heavy cadence. It thuds, it rolls awkwardly down a stairs, it stutters.
Watching someone who moves both softly, and smoothly is something that's near awe inspiring to me. There is an amazing amount of respect actively being shown between both the state of mind, and the body's capabilities, and the nature of the environment it is working it.
Well, cheerio then.
I do not believe that people are as attuned to pressures and weight as they might think they are. On the whole, I would actually say that most people do not actually understand what it means to do something "softly". Lately, I have been reading several books on personality assessment through nonverbal language, microexpressions, nonverbal communication, and linguistic metamessages (also, I highly recommend reading Deborah Tannings works).
Am I suggesting that people do not know how to control their own bodies, and thus do not know what it means to move "softly"? No. I would say that most people are extremely aware of their bodies. From the uncoordinated gamer to the dexterous harp player, I would guess everyone is aware of what their bodies are doing. I would not say, however, that they know why they are moving the way they are, what their flow is, what they are communicating, or to what degree they are participating in any of these actions. People can be beautiful sports players, and refined cooks and still not have an idea as to what "softness", or more specifically, "pressure" is.
Softness in movement is different from softness of physical description. I feel vaguely hypocritical even writing this because I know I have only personally experienced the tip of this ice berg. I do not feel as if I entirely understand enough to communicate about it, but I have to say I know enough that I can feel it, and I can notice it. In the most basic form, softness is something not forceful, hard, ridged, or inflexible. It is tender, accepting, conforming, and unimposing. I want to focus on unimposing for a moment.
unimposing, to me, goes hand in hand with a form of intimate respect. There is an underlying respect to softness. It has its own form to hold, but it is still respectful of the form and pressures that are being placed upon it. A small agreement of identities if you will. It is this relationship that I'm not sure too many people understand, and then are able to act upon. From my own experience (and earlier discussion on a seemingly universal "flow" in movements and activities), here are some examples of underlying respect, and careers I would expect people would have to intimate with this idea in order to survive.
-Dancing
-Drawing
-Slack rope
-Climbing
-Soccer
-Cooking
-Any musical instrument, or faculty
-Any martial arts
-To an extent, writing and story telling
-Architecture
-Making friends
-Keeping your friends
-Keeping your friends healthy
This semester, I have been rubbing a lot of backs. This is not where the thought came from, but it certainly seems to be the most frequent example where I can practice this thought. Touch is a gradient. In order for a touch to be soft, there must be a hardness, a stiffness with which to contrast it with. Otherwise, if you rub someone's back, you will be unable to adapt to the necessary tension points, and your friend will be disappointed. Softness is also a gradient. There is a light softness, and hard softness. It is still accepting, but it doesn't quite bend so easily to the identity of the incoming other. A dance of distances, a dance of pressures.
The reason I feel people do not practice this is because the overwhelming amount of motions I see are heavy. They are weighty, almost as if someone is swinging a heavy rock around on a string. There is fluidity because of the constant motion of the swinging rock, but there is still a heavy cadence. It thuds, it rolls awkwardly down a stairs, it stutters.
Watching someone who moves both softly, and smoothly is something that's near awe inspiring to me. There is an amazing amount of respect actively being shown between both the state of mind, and the body's capabilities, and the nature of the environment it is working it.
Tuesday, January 18, 2011
I Got This
I have recently returned to Whitman after a long and necessary break. When I left, I was near convinced that lives were crumbling, options disappearing because of my own lack of tact, as well as being more personally affected by others problems than I had even initially intended. Work had taken over most of my day, and when it was time to unwind and sleep, all that came around was reminders of could-have-beens, and the worst possible interpretations of events under the guise of "at least then I'll be prepared when they happen".
Three times became one, and strings from the past pulled all too strongly in order for future projections to be lived in sickening realism and accuracy. It reminded me strongly of how I felt when I was kind of grabbing for things three years ago. It would have been a lot harder to get through the last week without my Whitman Family. So thank you Mari, thank you Diana, thank you Daniel, and thank you Spencer for being such a great roommate.
That being said, also thank you my Wisconsin brothers for the winter break. I am not sure when we will all be assembled again, but I was glad I could see everyone at least once. I am sorry I did not get to have a farm party mom. When I get back we will dance in the only way does with a puppy, pizza, and too much slippery hardwood floor.
I was happy to have seen Grandma and know that she is doing a little better. I am a little shaken by how well I was able to accurately guess how the scene was presented to me. It was good to be able to talk to her and know that she might be out by spring. I look forward to spending time with you the next summer I am home.
The last semester was, looking back, filled with awkward gaps and runs of motion. While things really didn't move all that differently from freshmen year, I just feel as if something... wasn't quite there. In many ways it was much better and much healthier, but I feel as if my momentum was not always very constant. This semester, this moment in time I am reminded that if things are to be done, I must be the one to place the foundation stone by stone. I am back with my friends, and some of the people I trust the most if some unforeseeable thing happens to spring. I am not breathing quite as quickly, and I know that this equilibrium is not going to be disrupted. I am reminded of a Bill Nye the Science Guy episode on solids and liquids.
I am a liquid, happy and unafraid to fill unfamiliar and empty containers.
There's too much to do, but there is exactly enough time to do it.
Starting...now.
Three times became one, and strings from the past pulled all too strongly in order for future projections to be lived in sickening realism and accuracy. It reminded me strongly of how I felt when I was kind of grabbing for things three years ago. It would have been a lot harder to get through the last week without my Whitman Family. So thank you Mari, thank you Diana, thank you Daniel, and thank you Spencer for being such a great roommate.
That being said, also thank you my Wisconsin brothers for the winter break. I am not sure when we will all be assembled again, but I was glad I could see everyone at least once. I am sorry I did not get to have a farm party mom. When I get back we will dance in the only way does with a puppy, pizza, and too much slippery hardwood floor.
I was happy to have seen Grandma and know that she is doing a little better. I am a little shaken by how well I was able to accurately guess how the scene was presented to me. It was good to be able to talk to her and know that she might be out by spring. I look forward to spending time with you the next summer I am home.
The last semester was, looking back, filled with awkward gaps and runs of motion. While things really didn't move all that differently from freshmen year, I just feel as if something... wasn't quite there. In many ways it was much better and much healthier, but I feel as if my momentum was not always very constant. This semester, this moment in time I am reminded that if things are to be done, I must be the one to place the foundation stone by stone. I am back with my friends, and some of the people I trust the most if some unforeseeable thing happens to spring. I am not breathing quite as quickly, and I know that this equilibrium is not going to be disrupted. I am reminded of a Bill Nye the Science Guy episode on solids and liquids.
I am a liquid, happy and unafraid to fill unfamiliar and empty containers.
There's too much to do, but there is exactly enough time to do it.
Starting...now.
Labels:
Feeling,
Movement,
Pensieve,
Things to Remember,
Time
Monday, November 8, 2010
Since I'm Here. Recontinued Remember: pt 3
Since I've just been talking with people for what is now five hours already I must resign myself that I'm not going to be doing homework today. I also haven't been writing. Now that I have had a warm up I feel moved to note down a few things.
Over this weekend I began to be come so calm about the way things were that that lack of commotion or problems in it of itself seemed to be problem. When things seem fine I am inclined to look for the problem that I am over looking. It is usually a misinterpretation, something misunderstood or straight out ignored. I was reminded this night that my sister is not the only one I can converse with at a high level of understanding. Granted, I would be hard pressed to say that any one ever will be able to get onto our level of color, shared experiences, and inside connecting jokes of interest and codexes, but at times I feel as if I forget this. I forget that there are other intelligently aware people surrounding me if I take the chance to reach out a little or do the correct prodding.
I am also working on trusting people to be good people more. While it is not as if I consciously or instinctively distrusted people, it was interesting to see that in cases of confusion and uncertainty, I withdraw and worry rather than trust them to be a capable human being that doesn't mean to harm me. They are doing the best they can with the given situation and how they move about it. They are not searching to do wrong, and it can be avoided with simple communication.
Geneva showed me a video of people dancing extraordinarily, and recently I watched a Youtube video on par kour combined with gymnastics and mixed martial arts. Then I went and climbed a tree. I feel as if I've touched on this before but the physical movement of it all is what, heh, moves me. I am beginning to feel more confident as if when one does something well, or becomes pretty good at a thing, there is this rhythm to it that can be translated from almost anything. I feel it when I write Japanese Calligraphy, in climbing, in dancing, in soccer, in TaeKwonDo, in piano, in cooking, and how one moves through a math problem. There is a beat, a movement to it all. A flow. Hopefully in time I well develop a better connection with amazing connectivity between environment and self. It feels so safe and so wonderful.
REMEMBER: Roleplaying
On situations and people doing what they can with what they have reminds me to continue topics I discussed with Tracy last year. I felt as if alot of problems in social relations between people be it groups, relationships, etc. occur from problems in role playing. It is something that I am simply used to doing. Partly being brought up in a way that emphasized not troubling anyone else unless you absolutely must, it became a tool that I have since developed. As I imagine actors must thoroughly research and understand the pressures on their character in order to play the role as authentically as possible, so too must others not underestimate just how much they have to imagine in order to simply make a good guess as to another's thoughts, feelings, possible reaction. When I imagine this process, I literally have to stop moving, close my eyes and focus entirely on how things would be from another's point of view.
This means my general view of them, the history I know and how I feel it would affect my decisions and priorities, what that persons goals might be, social relations, tendencies, stature and how that body would feel like, where its balance is, and what seems to be most important is how I would appear and be interpreted by that person. This means visualizing myself conversing or simply being there. How would I react to myself? How would THEY react to me? How do I even behave? At the end, all I have is a guess. After all of that work, depending on how well I know the person, I have to resign myself to simply have an educated guess to guide my future actions. Perhaps it is I who is the ignorant one and flawed in my ability to understand a basic Cooley Looking Glass Self in operation but it seems to me that most do not go this far. They skip and just get to the guessing without trying as hard as they can to mentally develop a realistic scenario.
Over this weekend I began to be come so calm about the way things were that that lack of commotion or problems in it of itself seemed to be problem. When things seem fine I am inclined to look for the problem that I am over looking. It is usually a misinterpretation, something misunderstood or straight out ignored. I was reminded this night that my sister is not the only one I can converse with at a high level of understanding. Granted, I would be hard pressed to say that any one ever will be able to get onto our level of color, shared experiences, and inside connecting jokes of interest and codexes, but at times I feel as if I forget this. I forget that there are other intelligently aware people surrounding me if I take the chance to reach out a little or do the correct prodding.
I am also working on trusting people to be good people more. While it is not as if I consciously or instinctively distrusted people, it was interesting to see that in cases of confusion and uncertainty, I withdraw and worry rather than trust them to be a capable human being that doesn't mean to harm me. They are doing the best they can with the given situation and how they move about it. They are not searching to do wrong, and it can be avoided with simple communication.
Geneva showed me a video of people dancing extraordinarily, and recently I watched a Youtube video on par kour combined with gymnastics and mixed martial arts. Then I went and climbed a tree. I feel as if I've touched on this before but the physical movement of it all is what, heh, moves me. I am beginning to feel more confident as if when one does something well, or becomes pretty good at a thing, there is this rhythm to it that can be translated from almost anything. I feel it when I write Japanese Calligraphy, in climbing, in dancing, in soccer, in TaeKwonDo, in piano, in cooking, and how one moves through a math problem. There is a beat, a movement to it all. A flow. Hopefully in time I well develop a better connection with amazing connectivity between environment and self. It feels so safe and so wonderful.
REMEMBER: Roleplaying
On situations and people doing what they can with what they have reminds me to continue topics I discussed with Tracy last year. I felt as if alot of problems in social relations between people be it groups, relationships, etc. occur from problems in role playing. It is something that I am simply used to doing. Partly being brought up in a way that emphasized not troubling anyone else unless you absolutely must, it became a tool that I have since developed. As I imagine actors must thoroughly research and understand the pressures on their character in order to play the role as authentically as possible, so too must others not underestimate just how much they have to imagine in order to simply make a good guess as to another's thoughts, feelings, possible reaction. When I imagine this process, I literally have to stop moving, close my eyes and focus entirely on how things would be from another's point of view.
This means my general view of them, the history I know and how I feel it would affect my decisions and priorities, what that persons goals might be, social relations, tendencies, stature and how that body would feel like, where its balance is, and what seems to be most important is how I would appear and be interpreted by that person. This means visualizing myself conversing or simply being there. How would I react to myself? How would THEY react to me? How do I even behave? At the end, all I have is a guess. After all of that work, depending on how well I know the person, I have to resign myself to simply have an educated guess to guide my future actions. Perhaps it is I who is the ignorant one and flawed in my ability to understand a basic Cooley Looking Glass Self in operation but it seems to me that most do not go this far. They skip and just get to the guessing without trying as hard as they can to mentally develop a realistic scenario.
Labels:
A Ramble,
Calm,
co-incidents,
Feeling,
Movement,
Rhythtm,
Things to Remember,
Time,
Uplifting
Wednesday, March 10, 2010
Just Maybe
I forget the exact time, but I remembered something I posted earlier this year, and was more aware a thing.
A shift of thinking from "How will a Sam deal with those around him and the world" to "How will those around me and the world deal with a Sam?"
(Pic to be added later)
A shift of thinking from "How will a Sam deal with those around him and the world" to "How will those around me and the world deal with a Sam?"
(Pic to be added later)
Tuesday, February 23, 2010
手つだて下さい。
I am trying to work a little more at Japanese immersion. I have no idea if I am doing the right thing but I still need to get things together and understand what exactly I am doing and what that means. I watched Naussica the other day, and Up not too long ago. These movies have helped. I remembered the same feeling of mystery and engagement I had when watching Naussica on cartoon network wondering why it seemed so good. Only later to realize that it was a Miyazaki film. I am doing an interesting mixing of perspectives and colors that are running along with my movement, but never completely fading out of view regardless of intent. On a completely different side note, Chemistry is indeed just raising up my want to learn Biology to get away from math. Concepts without math is better. Unless I have to do math in order to do Psychology or art, then I seriously lack interest and have noticed that I nearly shut down in the presence of numbers. Too many bad experiences. I'd much rather learn and memorize how muscle cells communicate to each other so that I know what to eat and placebo me a better twitch response.
I just want things to fit. Things should fit.
Equilibrium has not set in yet and It is almost over. I have had almost zero effect on the world and those around me and it is already one year gone. Too few achievements. Too little working, too little doing. Too little fitting. What people did not mention about college is that everyone else is always busy too.
Saturday, January 30, 2010
Amber, 45 degree upper left crimson clouds perspective
Thanks Tracy
music
Social Psychology has been very reassuring that I am pursuing something that is of great interest. Reading is not a chore, and I may soon just go ahead and finish the book. This is the psychology I am interested in and most familiar with. This is a class that I feel I must do well at and cannot fail. Productivity has stalled over the last week, but it is making a return. Refresh, reboot, step forward. I watched a few episodes of Full Metal Alchemist Brotherhood again this weekend. After taking breaks in between watching large amounts of the show I am always hit with a very heavy, very real realization. Ed and Al never, NEVER stop trying. They never stop moving forward. They have a goal, and they not only strive for this with everything they have, but they do not lose their own identities through their fight. They have seen people killed, murdered, tortured, sacrificed. They have only each other, and have barely any friends who they can speak to about their past, or uncovered secrets. A particular scene that sticks with me is in the original series in which they come to Tuckers house to prepare for their State Alchemy Exam. Al is admiring the books and exclaims at how many there are and how cool it'll be to read them all. As he waits for Ed's response, he looks down and sees his older brother already half way through a book reading furiously.
"He's already started." Al jokes.
No hesitation. Always motion. Always learning, and the courage to confront the many obstacles that threaten to kill them.
At the least I am realizing these things and can try to keep up with them.
The other notice-ment is that of the dangers of mulling. I am good at it. I have much practice. I can understand things very well. However, that which is being understood must have been an actual event, which actual facts, and actual intents. Substitute intents only work so far, and usually for the wrong conclusion. "If we stop worrying, and fighting about time, I think we'll find that it's really on our side."-Scrubs episode. I want this to be true. I want to be able to stop thinking about right moments, situations, and how to time words. I need to work on teaching others how to listen and understanding that they already know how to.
music
Social Psychology has been very reassuring that I am pursuing something that is of great interest. Reading is not a chore, and I may soon just go ahead and finish the book. This is the psychology I am interested in and most familiar with. This is a class that I feel I must do well at and cannot fail. Productivity has stalled over the last week, but it is making a return. Refresh, reboot, step forward. I watched a few episodes of Full Metal Alchemist Brotherhood again this weekend. After taking breaks in between watching large amounts of the show I am always hit with a very heavy, very real realization. Ed and Al never, NEVER stop trying. They never stop moving forward. They have a goal, and they not only strive for this with everything they have, but they do not lose their own identities through their fight. They have seen people killed, murdered, tortured, sacrificed. They have only each other, and have barely any friends who they can speak to about their past, or uncovered secrets. A particular scene that sticks with me is in the original series in which they come to Tuckers house to prepare for their State Alchemy Exam. Al is admiring the books and exclaims at how many there are and how cool it'll be to read them all. As he waits for Ed's response, he looks down and sees his older brother already half way through a book reading furiously.
"He's already started." Al jokes.
No hesitation. Always motion. Always learning, and the courage to confront the many obstacles that threaten to kill them.
At the least I am realizing these things and can try to keep up with them.
The other notice-ment is that of the dangers of mulling. I am good at it. I have much practice. I can understand things very well. However, that which is being understood must have been an actual event, which actual facts, and actual intents. Substitute intents only work so far, and usually for the wrong conclusion. "If we stop worrying, and fighting about time, I think we'll find that it's really on our side."-Scrubs episode. I want this to be true. I want to be able to stop thinking about right moments, situations, and how to time words. I need to work on teaching others how to listen and understanding that they already know how to.
Labels:
Awe,
co-incidents,
Feeling,
Movement,
Music,
Sigh..,
Things to Remember,
worrying
Saturday, January 23, 2010
Friday, January 8, 2010
Late is the Preemptive
At this late (early) hour while eating M&M's and milk, I am beginning to understand more. Not so much something new but a feeling that had color before but is only now becoming something more accessible. The person that I am and that which I would like to become are ideas that seem to be coming into view more and more. For there to be a future, there must be a present action to get there. These decisions must be made carefully, and if they must spontaneously. While there is danger at perpetuating a "prepare" mode, I do not yet think that this is something of worry. It is a now familiar rhythm that comes and goes. I have been at the least, more aware of it in the last year of Great Calm. We do what we do at the moment because in that moment we believe it to be the right thing, the action in order to gain the best future, or the preferred future event. Even if that means simply to continue a routine, or create something new and dangerously exciting is trivial. There is a flow there is a purpose there is a meaning to this rhythm. I do not think that I will be disappointed if I follow it. After watching many episodes of Full Metal Alchemist again. There is a drive, and reminder to have purpose. Ideals are not to be taken lightly, and neither is a commitment to resolve.
There are too many things I have yet to read, yet to see, yet to learn, yet to practice. The knowledge of this is there but still... it has not been thrust into with devotion. I feel that it is possible to do this and still only add to the self without forgetting the oil. I need to fully try and commit to something. I have certainly tried very hard at various skills and various practices, but not fully. Not with everything. Only a glancing attempt, less than full. I need to understand the world so that I can work and live within it. I need to stretch my bounds so that I can confidently be confident. If I don't, what security do I actually have in myself?
There is an ideal.
It understands, and it is silhouetted in my mind. Failure to obtain or reach this state of being may have recurring effects that will last longer than what may be projected. I must advance, must move. I need to first be able to trust in myself and ensure that I can carry out simple tasks. Once past, then the work will begin.
"Human kind cannot gain anything without first giving something in return. To obtain, something of equal value must be lost. That is alchemy's first law of equivalent exchange."
-Full Metal Alchemist
It is high time I begin exchanging and work to learn.
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